One requirement is that it must be usable day or night. Two, it must produce vibrant colours independent of the amount of natural light in the room, and three, projectors must have all the features found in flat-panel TVs. All of this is possible with the Hisense L9G. Thanks to improvements in light sources, imaging sensors, and exclusive processing techniques, customers are starting to consider Laser TV as a realistic alternative to their living room televisions today. The combination of these three factors, along with the ongoing decrease in component prices, has led to an increase in Laser TV sales. One of the reasons you see so many traditional television makers, like Samsung and LG, joining this industry in recent years is Hisense’s continued success in marketing and selling Laser TV. also you will learn our article on Hisense L9G TriChroma Laser 4K TV review.


It truly just appears to be a giant TV to a stranger entering a living room for the first time where a 100L9GTUK is installed. The inflexible 75-inch tv screen is mounted on your wall and projects stunningly bright images off of its solid, ambient light-rejecting surface, as if a conventional array of OLED or LCD pixels were concealed behind it. Of course, the tri-chroma/triple-laser projector on your sideboard behind the screen is the real source of these images. Thanks to its ultra short throw (UST) technology, this may be placed centimeters from your wall or screen as opposed to taking up the entire middle of your room like most conventional projectors do. The 100L9GTUK will ideally be bright enough to “punch through” ambient light more successfully than normal projectors thanks to its UST design, very brilliant triple-laser lighting system, and specialty screen, so you won’t have to keep your living room in complete darkness to enjoy it. The projector component of the 100L9GTUK, however, is larger than conventional home entertainment projectors once you pay attention to it. This is due to the requirement for its laser-generated images to be reflected around a variety of internal magnification optics so that an image can emerge from a slit in its top edge, ready to fill the 100-inch screen located only centimeters away. With a glossy black finish, gracefully rounded corners, and a fabric-covered 40W speaker system on the edge that looks into your room, the 100L9GTUK manages to carry its size well.

Hisense L9G TriChroma Laser 4K TV review: Features

Android TV and a Wi-Fi 5 or Gigabit Ethernet connection are included in the system. Netflix isn’t supported, which is unfortunate because it’s a common feature of Android TV implementations by relatively less well-known companies. Even if the operating system occasionally has issues, it is still substantially functional. Three HDMI ports have also been incorporated by Hisense, two of which support HDMI 2.1, and one of which supports eARC, providing a wide range of possibilities for high-quality video and audio streams. Bluetooth connections enable use of the projector as a speaker or external speakers to connect to and from the system. Additionally offered are WiSA connections and optical audio. The projector is lacking versatility, among other things. The lens’ focal length is fixed. It begins to blur when you are either too close to the wall or too far away. While there is some flexibility, if pushed too far or too close to the wall, it will lose focus. This projector isn’t the kind that can display 40 inches one day and 300 inches the next. Although it is intended to function as a 100-inch TV, it is more portable than a 100-inch TV. As a result, the 100-inch model’s optimal distance from the wall is approximately 11 inches, while we find it to be sufficiently crisp at a distance of only about 8 inches. However, the projector’s eight-point digital geometric correction and four movable bottom legs can assist square the image up appropriately. The geometric correction can be carried out manually or automatically using a phone camera.


The projector’s ports will be examined next, one by one. With the exception of one USB port, which is situated to the left of the L9G when viewed from the front, most of them are as usual grouped together at the rear of the device. Just to be clear, this port is a USB 2.0 port. Three HDMI inputs, a third USB port (this one 3.0), an analogue audio output, a digital optical audio output, and an Ethernet port enabling a wired connection to your local network are now located at the rear of the device. Along with an antenna port for broadcast channels, there is also a serial port for attaching a home automation system. The intriguing thing about this is that the L9G only has one HDMI 2.0 port and two HDMI 2.1 ports. This indicates that while the third HDMI 2.1 port can only support 4K@60Hz transmissions, the HDMI 2.1 ports can take up to 4K@120Hz signals. Despite having HDMI 2.1 connections, the L9G can only display 4K content at 60 frames per second after eventually resolving the signal to 4K@120Hz. And the DLP technology used in the L9G is primarily to blame for this. you can read our article on Hisense L9G TriChroma Laser 4K TV review.

Hisense L9G TriChroma Laser 4K TV review: Performance

Picture modes for SDR. The majority of content is still SDR, and any monitor worth putting in a living room setting needs to give good SDR picture quality. HDR movies and games are fantastic, but the vast majority of content is still SDR. Regardless of the image style you select, the Hisense L9high G’s brightness, specialized ambient light rejecting screen, crisp lens, and rich, true color all favor SDR playback. The native color temperature of this projector in Vivid mode is 13,334K, which is comparatively “cold” and clearly blueish. The modes that were brightest and that, in their default configurations, adhered to the 3000-Lumen ANSI specification were Vivid, Game, and Sports. As you move farther from that natural color temperature, projectors typically start to lose brightness, which was the situation with the L9G. The most vivid picture settings consequently have a color temperature greater than the 6,500K “ideal” for calibrated displays and cinematic material. But despite what the cold color temperature indication would suggest, the L9Vivid G’s mode is more watchable because the real color balance is reasonable. Vivid mode enhances the color gamut because it depends on the native color space, which makes it appear oversaturated in dimly lit environments. The key is that you may use this setting for daytime viewing, an area where projectors ordinarily shun. High ambient light’s negative effects are mitigated.

Picture quality

With the Hisense L9G, there isn’t much to complain about. This projector is making use of technology that is incredibly competent. The Hisense L9G can produce such a vivid image even without the ALR projection screen that we feel at ease watching just about anything in our living room in the middle of the day. If it’s sunny outside, we might stick to cartoons, but in overcast or shaded conditions, the L9G has no trouble producing a pleasing image. The image is a joy for movie or gaming nights. The project successfully blends rich contrast with incredibly vibrant colours to create scenarios that are even more striking. The image’s retention of shadow detail is even more stunning. Even while watching during the day, the characters’ black attire and hair have a lot of depth. Everything is sent in clear 4K. The L9ability G’s to magnify Dune and Nightmare Alley results in a theater-like experience with the luxury of pausing. Cartoons are vibrant because of their hues. And Ghost of Tsushima features breathtaking shots of the Japanese countryside. Even bosses can be easily defeated thanks to the input lag’s minimal level. Even while the picture is excellent, not everything is flawlessly effortless. The projector is susceptible to some of the same problems that TVs are. Characters and other objects on the screen may move erratically as a result of the projector’s attempts to smooth out motion, and brightness may change noticeably as it strives to improve the image from shot to shot. The motion smoothing appears to reduce judder, at least for panning photos.

Hisense L9G TriChroma Laser 4K TV review: Sound quality

The speakers on the 100L9GTUK are decent in certain areas and a touch underwhelming in others. In contrast to many TVs, which often situate their speakers behind the screen, these speakers fire directly into your room, giving the sound a more direct, forceful sensation. In terms of scale and projection, the audio from the 100L9GTUK is likewise in a different league from anything you might hear from the great majority of projectors. Nevertheless, the built-in Dolby Atmos decoding isn’t given much credit here, as voices don’t appear to be emanating from the king-sized images on the 100L9GTUK’s screen. The sound also has a slightly thin tone, which can make the dense soundtrack parts feel a little fake and brittle. It doesn’t help that the bass range is fairly constrained, distorting or disappearing almost entirely with prolonged powerful rumbles. In conclusion, the sound quality of the 100L9GTUK can be compared favourably to that of practically all projectors, although it is just average by premium TV standards.


Notably, the L9G makes a great gaming UST. It has significantly less input lag than previous UST products, and the dedicated Game mode has the fastest response we were able to measure—34.1 milliseconds for 4K/60 Hz signals. Although it is not as quick as a gaming monitor or some of the quickest TVs available, it is sufficient to make you feel immersed in the game. also you can check our article on Hisense L9G TriChroma Laser 4K TV review. Regular HD Blu-ray is still a fantastic method to watch movies, and the L9G excels at it. SDR can appear sufficiently bright to resemble a professionally calibrated TV with flawless colour and smooth motion. When watching on this system, upscaling looks good and you are getting the most out of Blu-ray. You now have the opportunity to choose the viewing environment. If you opt for darkness, you should lower the Laser Luminance level to give the image a more cinematic appearance with darker blacks and highlights that are closer to the 48-nit DCI cinematic standard.

Price and availability

For $5,499 (about £4000, AU$7500) for a 100-inch system and $5,999 (roughly £4400, AU$8000) for a 120-inch setup, respectively, you can purchase the Hisense L9G. The projector and screen set is far more expensive than those of its rivals. For instance, the Xgimi Aura is likewise incredibly beautiful and costs less than half as much, but it is less effective or dazzling outside. Meanwhile, longer-throw projectors can give quality images, a little more configuration flexibility with some extra complexity, and more refresh rate possibilities for gamers. Examples include the premium Optoma UHZ50 (at half the price) and the Epson LS12000 (at $4000).


The system produced a 100-inch viewing experience from a box that was positioned beneath a panel, introducing me to the world of short-throw projectors. Even though we had a good experience using the device, Hisense intends to remedy some of its shortcomings with the forthcoming L9G model. When compared to the previous model, the gadget generally represents a significant improvement, making it a clear choice when considering the market’s offerings for large-scale viewing.

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